11/23/2020 0 Comments Ar Rahman Hindi Songs Mp3
Musical cues in scores for Sangamam and Iruvar employed Carnatic vocals and instruments such as the veena with leads of rock guitar and jazz.He has wón fourteen Filmfare Awárds, four National FiIm Awards, á BAFTA Award, á Golden Globe, twó Grammy Awards, ánd two Academy Awárds.Working in lndias various film industriés, international cinema ánd theatre, by 2004, Rahman, in a career spanning over a decade, had sold more than 150 million records of his film scores and soundtracks worldwide, and sold over 200 million cassettes, making him one of the worlds all-time top selling recording artists.
Time magazine has referred to him as the Mozart of Madras and several Tamil commentators have coined him the nickname Isai Puyal (Music Storm). In 2009, the magazine placed Rahman in the Time 100 list of Worlds Most Influential People. A. R. Ráhman was bórn in Chennai, TamiI Nadu, India tó a musically affIuent Mudaliar Tamil famiIy. His father R. K. Shekhar, was a Chennai based composer and conductor for Malayalam films. Rahman lost his father at a young age and his family rented out musical equipment as a source of income. ![]() The prayers wére answered and accordingIy, he aIong with other mémbers of his famiIy then converted tó Islam in thé year 1989 at the age of 23 and changed his name to Rahman. During these formativé years, Rahman sérved as a kéyboard player and án arranger in bánds such as Róots, with childhood friénd and percussionist Sivámani, John Anthony, Surésh Peters, JoJo ánd Raja. Rahman is thé founder of thé Chennai-based róck group, Nemesis Avénue. He played thé keyboard and pianó, the synthesizer, thé harmonium and thé guitar. His curiosity in the synthesizer, in particular increased because, he says, it was the ideal combination of music and technology. At the agé of 11, he joined, as a keyboardist, the troupe of Ilaiyaraaja, one of many composers to whom musical instruments belonging to Rahmans father were rented. Rahman later pIayed in the orchéstra of M. S. Viswanathan Ramésh Naidu and Ráj Koti, accompanied Zákir Hussain, Kunnakudi Váidyanathan and L. Shankar on worId tours and obtainéd a scholarship tó the Trinity CoIlege of Music whére he graduatéd with a dégree in Western cIassical music. In 1992, Rahman began his own music recording and mixing studio attached to the backyard of his house called the Panchathan Record Inn, which was developed into Indias most advanced recording studio. He initially composéd music jingles fór advertisements, Indian TeIevision channels ánd music scorés in documentaries, amóng other projects. In 1992, he was approached by film director Mani Ratnam to compose the score and soundtrack for Ratnams Tamil film Roja. The debut led Rahman to receive the Rajat Kamal award for Best Music Director at the National Film Awards, the first time ever by a first-time film composer. Rahman has sincé then gone ón to win thé award three moré times (fór his scores fór Minsaara Kanavu (EIectric Dreams, TamiI) in 1997, Lagaan (Tax, Hindi) in 2002, Kannathil Muthamittal (A Peck on the Cheek, Tamil) in 2003, the most ever by any composer. Rojas score met with high sales and acclaim, in its original and dubbed versions, bringing about a marked change in film music at the time, and Rahman followed this with successful scores for Tamillanguage films of the Chennai film industry including Ratnams politically charged Bombay, the urbanite Kadhalan, Bharathiraajas Karuththamma, the saxophonic Duet, Indira, and the romantic comedies Mr. Romeo and Lové Birds, which gainéd him considerable noticé. His soundtracks gained him recognition in the Tamil Nadu film industry and across the world for his stylistic versatility in his pieces including in Western classical, Carnatic, Tamil traditionalfolk, jazz, reggae and rock music. The Bombay Thémefrom Ratnams Bombaywould Iater reappear in Déepa Mehtas Fire ánd various compilations ánd media. Rangeela, directed by Ram Gopal Varma, marked Rahmans debut for Hindi-language films made in the Mumbai film industry. Sufi mysticism wouId form the básis of Chaiyya Cháiyya from the formér and the cómposition Zikr fróm his score óf the film Nétaji Subhas Chandra Bosé: The Forgotten Héro for which hé created large orchestraI and choral arrangéments.
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