That simplistic history lesson had already been bested by Don Bluth’s “An American Tail,” the most unsentimental cartoon to ever star a singing mouse. The traditional Thanksgiving children’s play fell out of favor around the time Wednesday Addams vowed to scalp those pesky pilgrims in “Addams Family Values” (1993). Stream it on Starz or Spectrum or rent on Vudu, Google Play or YouTube. He shared on the DVD’s commentary track that he once said on set, “Hold my cigarette and my can of Coke, I have to go die.” Caan was also known to employ some dark humor during the production.
It’s hard not to mist up watching these two manly men choose to become brothers. But for most of his life, he was best known for this Emmy winning crowd pleaser that exemplifies the meaning of Friendsgiving.
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The movie is based, in part, on Sayers’s 1970 autobiography, “I Am Third.” Sayers, who died last year at 77 from complications of dementia and Alzheimer’s disease, continues to hold the league record for most touchdowns in a game. Their friendship was forged on the gridiron, tested by the pressures of becoming the NFL’s first interracial roommates and beatified after Piccolo was stricken with terminal cancer. Billy Dee Williams and James Caan star as the real-life Chicago Bears running backs Gale Sayers and Brian Piccolo. If the game’s not going well, flip on this forgotten football gem from 1971 that set a record for the most-watched made-for-TV movie ever and became the rare film to leap from an ABC Movie of the Week to a major theatrical release. The film is also a reminder to forgive guests who don’t yet know their host’s unspoken customs and taboos, like the mother who pardons her daughter’s fiancé for pouring soy sauce on her signature dish. The novelist Amy Tan reworked her best seller into this screenplay, a collaboration with Ronald Bass, the “Rain Man” screenwriter. Their mothers made painful choices before they crossed the Pacific, enduring traumas the daughters may risk repeating if they can’t share their secrets (along with several bowls of noodles and a bottle of champagne).
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The Americanized daughters are well aware of these concerns, but they don’t know the full story. Four Chinese-born women living in San Francisco regularly gather over the mahjong table to gossip about their grown daughters who, they fear, have settled for the wrong career or the wrong man. There’s no better film on food, family and empathy than Wayne Wang’s epic about two generations who reconcile their differences over sesame balls and stuffed crab.
A personal favorite: “You’re a pain in my ass, you have bad hair, but I like you a lot.” Every quip deserves to be memorialized in needlepoint. For the film’s centerpiece Thanksgiving scene, Foster went through 64 roast turkeys whose carcasses were flung into laps or onto the floor, then plopped back on the carving dish so Charles Durning’s paterfamilias could continue pretending things were fine. Her aunt (Geraldine Chaplin) has dementia, her mother (Anne Bancroft) is crying in the pantry and her brother (Robert Downey Jr.) is slinging zingers to deflect from his own big secret. Richter, and when Foster gave it a read, she was struck by the artificiality of being “asked to make a vow of love to people you don’t really know and who don’t really understand you.” Holly Hunter stars as a single mother who comes home to a household simmering with tension. The script is by the “Invasion of the Body Snatchers” screenwriter W.D. Believe it or not, Jodie Foster’s relatable dramedy about a family who bickers, sobs and seriously questions why they bother sharing a table is rooted in science fiction.